ENTREGA T1_01 / SUBMISSION T1_01
En dos semanas hemos visto pasar muchos proyectos, muchos de ellos muy atractivos por su capacidad evocadora y plástica. Creo que queda patente el esfuerzo y las ganas de trabajar que hay en este grupo. Con la entrega final del Jueves 13 de octubre daremos por finalizado este primer ejercicio para enfocar el segundo, que necesita tener un mayor desarrollo y complejidad, pero dónde espero no perdamos el carácter experimental que habéis llevado en el primer ejercicio.
El jueves debéis concretar vuestro ejercicio en dos documentos, en dos medios de expresión diferenciados cuyas posibilidades formales deberéis explotar al máximo. En primer lugar, una maqueta de escala y tamaño libre. Probar con diferentes materiales, acentuar al máximo sus propiedades para que os ayudan a reforzar las decisiones de proyecto. El objetivo no es que sean maquetas "bellas", sino elocuentes, visibles e intensas. En segundo lugar, un "libro". Una suerte de guión ilustrado, un script que permita a cualquier persona recorrer el camino que os ha llevado a vuestro proyecto final. Una vez más libertad de medios gráficos que se enmarcan en un formato único tamaño DIN-A5.... en planta. Es decir, entre esos dos planos que conocemos como portada y contraportada se ha de abrir un mundo de sorpresas, una explosión creativa que desafíe las dos dimensiones.
Como algunos de vosotros tenéis maquetas muy desarrolladas, trabajad este último formato con mayor intensidad. Para aquellos cuyas maquetas se han quedado un poco vacías de contenido o que no son capaces de transmitir un mensaje claro os animo a dividir vuestro tiempo entre ambos documentos de manera que les permite alimentarse mutuamente. Ánimo!! tenéis casi dos semanas de trabajo sin ninguna atadura, explotarlas al máximo para sorprendernos (y sorprenderos) el día 13.
Alain Delorme, Totem #15
In these two weeks we have seen many projects, many of them very appealing for their evocative power and plasticity. I think that this group’s effort and desire to work are very clear. With the final submission on Thursday October 13, we will wrap up this first exercise to focus on the second one, which needs to be more developed and have greater complexity, but where we, I hope, will not lose the experimental approach you have demonstrated in the first exercise.
That Thursday you must fix your project in two parts via two different means of expression whose formal possibilities should be exploited to the fullest. First, a model of a scale and size at your choice: experimenting with different materials, stressing their properties to the fullest to help you strengthen your project decisions. The objective is not for the models to look "nice", but rather eloquent, visible and intense. Second, a "book". A sort of illustrated account, a script that allows any person to follow the path that has led you to your final project. Once again, a freedom of print media that has to fit in DIN-A5 size format.... in plan. That is, between these two levels known as the front and back covers, a world of surprises has to open up, a creative explosion that challenges the two-dimensional support.
As some of you already have well-developed models, you should work with greater intensity on this second component. For those whose models have been somewhat light on content or are not yet able to send a clear message, I encourage you to divide your time between both parts allowing them to mutually inform each other. Cheer up, you have almost two weeks of work with no strings attached, fully exploit them in order to surprise the group (and surprise yourselves) on Thursday the 13th.
In these two weeks we have seen many projects, many of them very appealing for their evocative power and plasticity. I think that this group’s effort and desire to work are very clear. With the final submission on Thursday October 13, we will wrap up this first exercise to focus on the second one, which needs to be more developed and have greater complexity, but where we, I hope, will not lose the experimental approach you have demonstrated in the first exercise.
That Thursday you must fix your project in two parts via two different means of expression whose formal possibilities should be exploited to the fullest. First, a model of a scale and size at your choice: experimenting with different materials, stressing their properties to the fullest to help you strengthen your project decisions. The objective is not for the models to look "nice", but rather eloquent, visible and intense. Second, a "book". A sort of illustrated account, a script that allows any person to follow the path that has led you to your final project. Once again, a freedom of print media that has to fit in DIN-A5 size format.... in plan. That is, between these two levels known as the front and back covers, a world of surprises has to open up, a creative explosion that challenges the two-dimensional support.
As some of you already have well-developed models, you should work with greater intensity on this second component. For those whose models have been somewhat light on content or are not yet able to send a clear message, I encourage you to divide your time between both parts allowing them to mutually inform each other. Cheer up, you have almost two weeks of work with no strings attached, fully exploit them in order to surprise the group (and surprise yourselves) on Thursday the 13th.
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